LikehisfierystudyofapopularmilieuinF(🤐)ièvre,LouisDelluc'searlymasterpieceofimpressionistcinema,LaFemmedeNullePart,isalmostimpossibletoseeoutsideofrarearchivalprojectionsinParis.S(🛰)hotinnaturalsettings,andstrippedofallthatisnotcinema,Delluc'spsychologicaldramafeaturingsymbolistmuseEveFrancisisanexperimentin'directstyle.'Af...
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